The Norton Shakespeare， 2Nd Edition诺顿莎士比亚作品集 第二版 英文原版

StephenGreenblatt(Ph.D.Yale)isCoganUniversityProfessoroftheHumanitiesatHarvardUniversity.AlsoGeneralEditorofTheNortonAnthologyofEnglishLiterature，heistheauthorofelevenbooks，includingTheSwerve:HowtheWorldBecameModern(winnerofthe2011NationalBookAwardandthe2012PulitzerPrize);Shakespeare'sFreedom;WillintheWorld:HowShakespeareBecameShakespeare;HamletinPurgatory;MarvelousPossessions:TheWonderoftheNewWorld;LearningtoCurse:EssaysinEarlyModernCulture;andRenaissanceSelf-Fashioning:FromMoretoShakespeare.Hehaseditedsevencollectionsofcriticism，includingCulturalMobility:AManifesto，andisafoundingcoeditorofthejournalRepresentations.HishonorsincludetheMLA'sJamesRussellLowellPrize，forbothShakespeareanNegotiations:TheCirculationofSocialEnergyinRenaissanceEnglandandTheSwerve，theSapegnoPrize，theDistinguishedHumanistAwardfromtheMellonFoundation，theWilburCrossMedalfromtheYaleUniversityGraduateSchool，theWilliamShakespeareAwardforClassicalTheatre，theErasmusInstitutePrize，twoGuggenheimFellowships，andtheDistinguishedTeachingAwardfromtheUniversityofCalifornia，Berkeley.HewaspresidentoftheModernLanguageAssociationofAmericaandisafellowoftheAmericanAcademyofArtsandSciences，theAmericanPhilosophicalSociety，andtheAmericanAcademyofArtsandLetters.WalterCohen(Ph.D.Berkeley)isProfessorofEnglishattheUniversityofMichigan，AnnArbor，andProfessorofComparativeLiteratureEmeritusatCornellUniversity，wherehereceivedtheClarkDistinguishedTeachingAward.HeistheauthorofDramaofaNation:PublicTheaterinRenaissanceEnglandandSpain，aswellasnumerousjournalarticlesonRenaissanceliterature，literarycriticism，thehistoryofthenovel，andworldliterature.HehasrecentlycompletedacriticalstudyentitledAHistoryofEuropeanLiterature:TheWestandtheWorldfromAntiquitytothePresent.JeanE.Howard(Ph.D.，Yale)istheGeorgeDelacorteProfessorintheHumanitiesatColumbiaUniversity.ApastpresidentoftheShakespeareAssociationofAmerica，sheistheauthorofnumerousbooksonRenaissancedrama，includingShakespeare'sArtofOrchestration:StageTechniqueandAudienceResponse(1984)，TheStageandSocialStruggle(1994)，EngenderingaNation:AFeministAccountofShakespeare'sEnglishHistories，withPhyllisRackin(1997)，TheaterofaCity:ThePlacesofLondonComedy1598-1642(2007)，andMarxandShakespearewithCrystalBartolovich(2012).SheisatworkonabookabouttheEnglishhistoryplayfromShakespearetoCarylChurchillandanotherontheinventionofRenaissancetragedy.KatharineEisamanMaus(Ph.D.JohnsHopkins)isJamesBranchCabellProfessorofEnglishattheUniversityofVirginia.SheistheauthorofBeingandHavinginShakespeare;InwardnessandTheaterintheEnglishRenaissance;andBenJonsonandtheRomanFrameofMind;editorofavolumeofRenaissancetragedies;andcoeditorofEnglishRenaissanceDrama:ANortonAnthology，TheNortonAnthologyofEnglishLiterature，andacollectionofcriticismonseventeenth-centuryEnglishpoetry.ShehasbeenawardedGuggenheim，Leverhulme，NEH，andACLSfellowships，andtheRolandBaintonPrizeforInwardnessandTheater.