内容简介
TheDigitalDaVincibookseriesopenswiththeinterviewsofmusicmogulQuincyJones,MP3inventorKarlheinzBrandenburg,TommyBoyfounderTomSilvermanandentertainmentattorneyJayL.Cooper.Astrongsupporterofscience,technology,engineeringandmathematicsprogramsinschools,TheBlackEyedPeasfoundingmemberwill.i.amannouncedinJuly2013hisplantostudycomputerscience.LeonardodaVinci,theepitomeofaRenaissanceman,wasanItalianpolymathattheturnofthe16thcentury.SincetheIndustrialRevolutioninthe18thcentury,thedivisionoflaborhasbroughtforthspecializationintheworkforceanduniversitycurriculums.Theendangeredspeciesofpolymathsisfacingextinction.Computersciencehascometotherescuebyenablingpractitionerstoaccomplishmorethaneverinthefieldofmusic.Inthisbook,NewtonLeerecountshisjourneyinexecutiveproducingaBillboard-chartingsonglikemanagingagilesoftwaredevelopment;M.NyssimLeffordexpoundsproducinganditseffectonvocalrecordings;DennisReidsma,MustafaRadhaandAntonNijholtsurveythefieldofmediatedmusicalinteractionandmusicalexpression;IsaacSchankler,ElaineChewandAlexandreFrançoisdescribeimprovisingwithdigitalauto-scaffolding;ShlomoDubnovandGregSurgesexplaintheuseofmusicalalgorithmsinmachinelisteningandcomposition;JuanPabloBellodiscussesmachinelisteningofmusic;StephenandTimBarrassmakesmartthingsgrowl,purrandsing;RaffaellaFolgieri,MattiaBergomiandSimoneCastellaniexamineEEG-basedbrain-computerinterfaceforemotionalinvolvementingamesthroughmusicandlastbutnotleast,KaiTonChauconcludesthebookwithcomputerandmusicpedagogy.DigitalDaVinci:ComputersinMusicisdedicatedtopolymathiceducationandinterdisciplinarystudiesinthedigitalageempoweredbycomputerscience.EducatorsandresearchersoughttoencouragethenewgenerationofscholarstobecomeaswellroundedasaRenaissancemanorwoman.
作者简介
Review"IfindNewtonLee'swritingbotheducationalandintuitive.Giventhe,ofttimes,unorthodoxwaysofthemusicbusiness,Lee'swritingpresentsaclearandconciseviewofacreativebusinesssomanyadmire."--BradMasonLeBeau,FounderofPROMOTIONAbouttheAuthorStephenBarrassisaresearcherandacademicattheUniversityofCanberrawherehelecturesinDigitalDesignandMediaArtsintheFacultyofArtsandDesign.HeholdsaB.E.inElectricalEngineeringfromtheUniversityofNewSouthWales(1986)andaPh.D.titledAuditoryInformationDesignfromtheAustralianNationalUniversity(1997).HewasaPost-DoctoralFellowattheFraunhoferInstituteforMediaKommunicationinBonn(1998)andGuestResearcherinSoundDesignandPerceptionatIRCAMinParis(2009).TimBarrasshasabackgroundinelectronicartspracticespanningover20years.Inhisvisualandsoundworkhehasexploredwaysofgeneratingandunderstandingpatternsofinteractionincomplexsystems.Hespentmanyyearsasacircusmusician,developingcustomsoftwareforelectroacousticinstrumentalperformanceinunpredictablecircumstances.InrecenttimeshisfocushasbeenondevelopingMozzi,thesoundsynthesislibraryforArduino.Heiscurrentlyresearchingtheergonomicsoftypingwithacockatieloneachforearm.JuanPabloBelloisAssociateProfessorofMusicTechnologyatNewYorkUniversity,withcourtesyappointmentsattheDepartmentofElectricalandComputerEngineering,andNYU'sCenterforDataScience.In1998hereceivedaBEnginElectronicsfromtheUniversidadSimónBolívarinCaracas,Venezuela,andin2003heearnedadoctorateinElectronicEngineeringatQueenMary,UniversityofLondon.Juan'sexpertiseisindigitalsignalprocessing,computerauditionandmusicinformationretrieval,topicsinwhichheactivelyteaches,researchesandpublishes.HisworkhasbeensupportedbypublicandprivateinstitutionsinVenezuela,theUK,andtheUS,includingaCAREERawardfromtheNationalScienceFoundation.Heco-foundedtheMusicandAudioResearchLab(MARL),whereheleadsresearchonmusicinformatics.MattiaG.Bergomiisamathematician,Ph.D.studentinComputerScience,andmemberoftheLaboratoryofMusicandComputerScience(LIM).Hisresearchinterestliesintheintersectionbetweenmusicandmathematics:OnonesidetherepresentationofmusicalobjectswithinstrumentsborrowedfromtheAlgebraicTopology;ontheothersidethenewanalysismethodsgivenbytheComputationalAlgebraicTopologyandtheirinteractionwithmachinelearningalgorithms.SimoneCastellaniisastudentinComputerScienceatUniversitàdegliStudidiMilano.Inhisthesishedevelopedexperimentsinquantitativeandqualitativeanalysisofperceptionoftheemotionalinteractionbetweenvisualandaudiostimuli.Hisresearchinterestsaretheanalysisofthebrainresponsestomultilayersstimulianditsapplicationinartificialintelligence.KaiTonChauisAssociateProfessorandtheJackVanLaarEndowedChairofMusicandWorshipatKuyperCollegeinGrandRapids,Michigan.Hedirectsthecollegechoirandensemble,teachesseveralmusiccoursesandchairstheArtsandSciencesdepartment.HisdiversecareerinHongKong,CanadaandtheUnitedStateshasaffordedhimtheopportunitiestoserveatvariouschurches,inter-churchevents,masschoirsandinstitutionsofhighereducation(includingInstituteforChristianStudiesinTorontoandRedeemerUniversityCollegeinAncaster,Canada).ChauearnedanHonorsdiplomaincompositionattheHongKongBaptistUniversity,aMasterofMusicinchoralconductingattheUniversityofMissouri-KansasCity,anMBAfromLaurentianUniversityinOntario,CanadaandadoctorateinworshipstudiesfromtheRobertE.WebberInstituteforWorshipStudiesinOrangePark,Florida.Healsoholdsprofessionaldesignations(CGA,FCCA,CFP)inaccountingandfinancialplanningfromCanadaandtheU.K.ElaineChewisProfessorofDigitalMediaatQueenMaryUniversityofLondon.Apianistandoperationsresearcherbytraining,herresearchcentersonthemathematicalandcomputationalmodelingofaspectsofperformance,includingmusicprosody,cognition,structureandinteraction,soastomakeexplicitwhatitisthatmusiciansdo,howtheydoitandwhy.Previously,shewasanAssistantthenAssociateProfessorattheUniversityofSouthernCalifornia,whereshefoundedtheMusicComputationandCognitionLaboratoryandsheheldvisitingpositionsatHarvardUniversityandLehighUniversity.HerresearchhasbeenrecognizedbytheUSNationalScienceFoundationFacultyEarlyCareerDevelopmentAwardandthePresidentialEarlyCareerAwardinScienceandEngineering,andafellowshipclusteronAnalyticalListeningthroughInteractiveVisualizationattheRadcliffeInstituteforAdvancedStudy.ShereceivedPhDandSMdegreesinOperationsResearchatMIT,aBASinMathematicalandComputationalSciences(honors)andinMusic(distinction)atStanford,andFTCLandLTCLdiplomasinPianoPerformancefromTrinityCollege,London.ShlomoDubnovisdirectoroftheCenterforResearchinEntertainmentandLearningatUniversityofCaliforniaSanDiego.HeteachesintheMusicandInterdisciplinaryComputingintheArtsprograms.Previously,hewasaresearcherattheInstituteforResearchandCoordinationofAcousticsandMusic(IRCAM)inParis,andheadofthemultimediatrackfortheDepartmentofCommunicationSystemsEngineeringatBen-GurionUniversity.HeisaseniormemberofIEEEandsecretaryofIEEE’sTechnicalCommitteeonComputerGeneratedMusic.HegraduatedfromtheJerusalemMusicAcademyincompositionandholdsadoctorateincomputersciencefromtheHebrewUniversity,Jerusalem.RaffaellaFolgieri,PhDinComputerScience,isAssistantProfessorinComputerSkillsattheFacultyofPoliticalScienceandofInformationTechnologyattheFacultyofPoliticalScienceandattheFacultyofMedicine(MedicalandPharmaceuticalBiotechnologies).ShealsoteachesInformationTechnologyRepresentationofKnowledgeinthepost-degreecourseinCognitiveScienceandDecisionMaking,VirtualRealityintheInformationTechnologyandDigitalCommunicationdegreecourseandProjectManagementattheFacultyofMathematics,Physics,andNaturalSciencesoftheUniversityofMilan.AmemberoftheItalianSocietyofEngineeringandofSIREN(ItalianNeuralNetworksSociety),shehaspublishedherresearchinseveraljournalarticles(mainfieldsofinterests:Brainomics;BrainComputerInterfaces;VirtualReality;Bioinformatics;MachineLearningandAI;Qualityassessmentincomplexsoftwaredevelopment;e-learning).Herworkexploressomeofthecentralissuesincognitiveresearchsuchashowpeoplemovefromskilledperformancetoproblemsolving,howapersonlearns,manageserrors,interpretsvisualstimuli,andcommunicates.ShecoordinatestheresearchgroupBeside,focusedoninterpersonal,machine-machineandbrain-machinecommunicationmediatedbytechnology,andExCog(jointlywithProf.Lucchiari),aimingtostudyMINDinallitscomplexityandallpossibleshapes.AlexandreR.J.Francoisisasoftwareengineerandanindependentresearcher,whoseworkhasfocusedonthemodelinganddesignofinteractive(software)systems,asanenablingsteptowardstheunderstandingofperceptionandcognition.Hisinterdisciplinaryresearchprojectsexploredinteractionswithinandacrossmusic,vision,visualizationandvideogames.Hewasa2007-2008FellowoftheRadcliffeInstituteforAdvancedStudyatHarvardUniversity;aVisitingAssociateProfessoratHarveyMuddCollege;aVisitingAssistantProfessoratTuftsUniversity;and,aResearchAssistantProfessorattheUSCViterbiSchoolofEngineering.Priortothat,hewasaResearchAssociatewiththeUSCIntegratedMediaSystemsCenterandInstituteforRoboticsandIntelligentSystems.HeholdsPhDandMSdegreesinComputerSciencefromUSC,theDiplômed'EtudesApprofondies(MS)fromtheUniversityParisIX-Dauphine(France),andtheDiplômed'IngénieurfromtheInstitutNationalAgronomiqueParis-Grignon(France).NewtonLeeisfoundingdirectoroftheWoodburyUniversityDigitalMediaLabandadjunctprofessorofMediaTechnologyattheSchoolofMedia,Culture&Design.HeisalsoCEOofNewtonLeeLaboratoriesLLC,presidentoftheInstituteforEducation,Research,andScholarships,andfoundingeditor-in-chiefofACMComputersinEntertainment.Previously,hewasaresearchscientistatAT&TBellLaboratories,seniorproducerandengineeratTheWaltDisneyCompany,researchstaffmemberattheInstituteforDefenseAnalyses,andresearchscientistatVirginiaTechLibrarySystems.LeegraduatedSummaCumLaudefromVirginiaTechwithaB.S.andM.S.degreeinComputerScience,andheearnedaperfectGPAfromVincennesUniversitywithanA.S.degreeinElectricalEngineeringandanhonorarydoctorateinComputerScience.Heistheco-authorofDisneyStories:GettingtoDigital;theauthoroftheTotalInformationAwarenessbookseriesincludingFacebookNationandCounterterrorismandCybersecurity;andtheeditoroftheDigitalDaVincibookseriesincludingComputersinMusicandComputersintheArtsandSciences.M.NyssimLeffordisvisitingseniorlectureratLuleåUniversityofTechnologyinSweden.Previously,shewasvisitingassistantprofessoratGeorgiaInstituteofTechnology.Herinvestigationshaverangedfromrecordproductiontoinstallationarttomusiccognitionresearch.Shehassoughttounderstandhowcreatorscreate,tofindwaystofacilitatethecreativeprocess,andtouncoverthepotentialinnewtechnologyandnewperspectivestoshapefuturecreations.ShereceivedherPh.D.andM.S.fromtheMITMediaLab,andherBachelorofMusicinmusicproductionandengineeringandfilmscoringfromBerkleeCollegeofMusic.AntonNijholtstartedhisprofessionallifeasaprogrammeratTNO-Delft.Hestudiedcivilengineering,mathematicsandcomputerscienceatDelftUniversityofTechnologyanddidhisPh.D.intheoreticalcomputerscienceattheVrijeUniversiteitinAmsterdam.HeheldpositionsattheUniversityofTwente,theUniversityofNijmegen,McMasterUniversity(Canada),theVrijeUniversiteitBrussels(Belgium),andatNIASinWassenaar.DuringsomeyearshewasscientificadvisorofPhilipsResearchEurope.PresentlyheismemberoftheHumanMediaInteractiongroupoftheUniversityofTwente.Hismainresearchinterestsaremulti-partyinteraction,multimodalinteraction,brain-computerinterfacingandentertainmentcomputing.MustafaRadhaisagraduatestudentinHuman-MediaInteractionattheUniversityofTwente.Heismainlyinterestedinthesocialandcomputationalsemioticsofaugmentedhumanlife.DennisReidsmaisAssistantProfessorattheHumanMediaInteractiongroupandLectureroftheCreativeTechnologycurriculumattheUniversityofTwente.AfterreceivinghisMScdegreeinComputerSciencecumlaudeforathesisonsemanticlanguageprocessing,DennisReidsmacompletedhisPhDdegreeattheHumanMediaInteractiongroupoftheUniversityofTwente.HesupervisesanumberofBSc,MSc,andPhDstudentsontopicsofcomputationalentertainmentandinteractiveplaygrounds,runsseveralresearchprojectsinthisareaandisregularlyinvolvedintheorganizationofconferencessuchasINTETAINandACE.Inaddition,hehaspublishedmanypapersoninteractionwithVirtualHumansandconsolidatedtheresultsofthisjointworkwithHerwinvanWelbergeninthereleaseofElckerlyc,astate-of-the-artOpenSourcesoftwareplatformforgeneratingcontinuousinteractionwithVirtualHumans.IsaacSchanklerisaLosAngeles-basedcomposerandimproviser.Heco-directstheconcertseriesPeopleInsideElectronicsandteachesmusictechnologyattheUniversityofSouthernCalifornia(USC).HehaspublishedintheInternationalJournalofArtsandTechnology,ComputerMusicJournalandtheproceedingsofinternationalconferencesincludingMCM(MathematicsandComputationinMusic),ISPS(InternationalSymposiumofPerformanceScience)andICME(InternationalConferenceonMultimedia&Expo).HealsowritesaregularcolumnatNewMusicBox,theonlinepublicationofNewMusicUSA.HecompletedhisdoctoralstudiesincompositionattheUSCThorntonSchoolofMusicandholdsdegreesincomposition(MM,BM)andEnglish(BA)fromtheUniversityofMichigan.GregSurgesmakeselectronicmusic,software,andhardware.HisresearchandmusichavebeenpresentedatSMAC/SMC,theInternationalComputerMusicConference,NIME,theSPARKFestivalinMinneapolisandtheSEAMUSNationalConference.HeiscurrentlyaPhDstudentattheUniversityofCalifornia,SanDiego.Previously,heearnedaMMinMusicCompositionandaBFAinMusicCompositionandTechnologyattheUniversityofWisconsin–Milwaukee.HecurrentlylivesinSanDiego,CAwithhiswifeandcat.
